Posts Tagged With: rowing

1992 Plaque Progress: Design Completed

The design stage is complete for the 1992 form plaque. I worked with representatives from the Form of 1992 to come up with a list of events, and the following were chosen by them to represent their 6th Form experiences at SPS:

  • Left: A large gavel represents a successful year for the SPS Debate team
  • Right: Crossed oars represent an eventful Crew season for both girls and boys teams
  • Center Top: A closed book with the initials C. H. C. representing the end of Charles Halsey Clark’s tenure as Rector
  • Center Bottom: A sickle and hammer symbol broken in many pieces, with the letters USSR, representing the dissolution of the Soviet Union.

I will be posting photos of the carving process here on the Form Plaque Project blog and on the Form Plaque Project Facebook page when I begin working on the carving process of the 1992 plaque.

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Categories: Design Process, Form of 1992 | Tags: , , , , , , , , , | Leave a comment

The Carving Process: Roughing Out

The next stage in the carving process involves roughing out the pattern and removing the larger areas of wood so that the form begins to emerge.  In this photo you can see that the basic shape of the head and neck are in place, and I have begun to work on the curve of the wing.  A few of the feathers leading from the body into the wing have been roughed out to help define the flow of the transition into the curve of the wing.

In this image you can see the rough shape of the nest and the begining of the outline of the pelican chicks.  The opposite wing still need to be roughed out, and once I have the inside curve of both wings completed I will work from the back to finish giving the wings their shape.

Roughing out is usually done with larger carving tool profiles using a mallet.  I started with large gouges to remove the greatest portion of the wood, and then work down to smaller profiles to smooth it to the finished rough form.  The roughing out stage  can be a little awkward as you transition from the clean outline of the pattern to the rough form of the carving.  It can be hard to resist the urge to begin refining areas as you get them to a good roughed out point, but it is important to rough the entire form out to the same degree before beginning on the detail.

As I mentioned earlier, this particular piece of wood came from a selection of wood that has been stored in barns at SPS going as far back as the early years of the 20th century.  Although it is impossible to know how long this piece of wood has been at the school, I did find out a little more information about it.  After an informative tour of the boat house and the workshop, Mr. Bailey (who maintains and restores the crew boats at  SPS) showed me the collection of wood stored there for use in repairing and restoring the crew boats.  This wood is a type of mahogany called Spanish cedar.  This is a deceptive name, since it isn’t from Spain, and it isn’t a type of cedar, but this resinous wood  has a wonderful aroma, and is highly resistant to rotting in water.  Spanish cedar has been long used to make cigar boxes and for the lining of humidors, as well as for making boats.  So the piece of Spanish cedar I am using for this carving was very likely purchased by the school at some point for use in building and repairing the rowing boats – a tradition at SPS that goes back to the 1870s.

Categories: Carving Process | Tags: , , , , , , , , , | 1 Comment

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